29 April 2009

United Kingdom

It's My Time Jade Ewen

"I've earned the right to show you it's my time tonight..."

Eurovision is not a big name contest. It is a massive event, in terms of the sheer number of countries taking part and the scale it now works on, but it is not one that attracts world-famous names in the music industry. Many composers and performers who are highly respected at a national or regional level do take part, and while it would be brilliant for each of the 40+ acts each year to be identifiable by the majority of the people watching, with the best will in the world the nature of Eurovision just doesn't allow it. One of the few countries who could theoretically have entered internationally renowned and/or popular artists every year (and possibly won) but hasn't is the United Kingdom, second only to the United States in providing Europe with chart-topping acts. Instead, in recent years, they have tended to go for relative unknowns with unremarkable songs, and have had their worst ever run of results in consequence. But all that is set to change in Moscow, with the BBC having somehow managed to persuade Andrew Lloyd Webber - one of the biggest household names in music in the world - to write the nation's 2009 Eurovision entry for them: It's My Time.

While promising much, the approach seemed to deliver very little, with many fans underwhelmed by the song the composer (and American lyricist extraordinaire Dianne Warren) had come up with. The idea was fine, but the execution appeared to be flawed in two basic areas: the fact that Andrew Lloyd Webber, for all his credentials, has very little in common with contemporary pop music; and that however amazing the names behind It's My Time, the song would still end up being fronted by a nobody due to its being written for Eurovision and therefore failing to interest established groups and singers. This led many viewers to dismiss eventual performer Jade Ewen* and, by extension, the entire process that led to the creation of the entry whilst choosing to overlook the fact that what emerged from the national selection show Your Country Needs You was very much a work in progress.

I'll admit I was one of those nay-sayers upon the unveiling of It's My Time. I mightn't have shot it down in flames, but it had disappointed for being so very Lloydwebberish and also, as I saw it, slightly cynical for suggesting that the names involved made its success not only a foregone conclusion, but almost a right. However, Lord Webber's obvious uncertainty about the song and Jade's ability to do it complete justice - and the BBC's determination to see both be as good as they could - persuaded me to give It's My Time the chance to improve, and that's exactly what it has done. While not the most immediate of songs, it has been reworked and remixed to make it sound more contemporary and less like a forgotten musical number, without sacrificing the ALW trademarks; and the very likeable and suitably humble Jade has, through endless national final appearances, polished her delivery to the point where, at the Russian national final (one of the last of the season), she achieved something she had utterly failed to do when performing the song originally: give me goosebumps listening to it.

Yes, you might say, but by that point you'd heard it a hundred times. Which I had, but that's just it: song and singer have reached a point where they're both pitching it just right. This is a hugely important consideration when we're dealing with a song that could so easily have fallen flat. It's My Time has a plum draw in the final, and if Jade nails it on the night she may have the same effect on the audience as she had on me in Moscow. That alone should see the song doing much better for itself than most other recent UK entries, but combined with a jury vote suddenly propels the song into top 10 or even top 5 contention, if not outright victory. Any jury determined to overlook the song would only be doing so as a reaction against the names behind it, since it is a classy piece of music. It might not be the most modern song in this year's contest, and it may seem better suited to Eurovision as it was 20 years ago, but It's My Time has come a long way in a short time - and for the first time in many years the UK has every chance of once again winning the contest it dominated for so long.

*for want of a better word; is there a single verb for loudly, repeatedly and almost always baselessly criticising something seemingly for the sake of it?

3 comments:

Anonymous said...

"and for the first time in many years the UK has every chance of once again winning the contest it dominated for so long."
Well, I don´t think so. I was at Amsterdam Eurovision Concert, where I finally realise what Jade´s problem is. It even has a name: Soraya. In Amsterdam Jade sung after Soraya, and honestly, only die hard fans could feel the appeal of her song after Soraya´s performance, which can be better described as an erupting volcano whose ashes cover everything around (and that´s from someone who hates that horrid La noche es para mi!). In Moscow, Jade will perform just before Soraya, and I bet it will be deja vú all over: after Soraya,few will remember ALW´s own version of Prozac.

Anonymous said...

Nah, you're completely overrating the song and Jade as a performer. I don't doubt she'll make it to the Top 15, but Top 5? Oh no.

phutty said...

Don't underestimate the suggestibility of juries ;-)